“Human beings participate in history both as actors and as narrators. The inherent ambivalence of the word ‘history’ in many modern languages, including English, suggests this dual participation.”
— Michel-Rolph Trouillot, Silencing the Past: Power and the Production of History (1995)
“Liars tell half-truths and he told everyone that during the battle the captain had suddenly gone crazy and deserted the army. That is the way history gets written, distorted by eyewitness accounts that don’t really match the reality.”
— Laura Esquivel, Like Water for Chocolate (1992)
. . . [Shakespeare‘s sister] died young—alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the cross-roads still lives. She lives in you and in me, and in many other women who are not here tonight, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her.
— Virginia Woolf, A Room of One’s Own (1929)
Continue reading “CFP: Intimate History and Like Water for Chocolate (Essay II, draft due 4/11)”